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    Mattia Greghi

    Foto – 001

    AVAILABLE FOR 23 DAYS

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    Pietro Masturzo

    001 Myanmar 2012

    AVAILABLE FOR 23 DAYS

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    2’ Due minuti

    E’ strano come ogni cosa sembri veloce. Non è solo un pensiero o una sensazione, spesso tutto ciò che viviamo emotivamente e proffessionalmente scivola via in attimi rapidi e così poco reali… In fotografia il senso del tempo è diverso e molto spesso si parla del famoso istante di realtà fissato come momento decisivo. Ho sempre creduto che la Fotografia fosse un modo bellissimo per rappresentare ciò che non si vede, e lo penso ancora. Ecco quindi la scelta di scattare immagini di un colore unico, di facile comprensione, ma non così dirette; soggetti conosciuti, semplici, d’uso quotidiano, ma non così scontati, fotografati con un ‘esposizione lunga e un diaframma chiuso perché l’attenzione sia “incisa”: l’immagine viene “registrata” con un tempo dilatato che inizia dallo sguardo e ad esso ritorna dopo un viaggio immaginario nella realtà ritratta e, combinato ad una corretta quantità di luce, come in una traccia musicale è scandito dai secondi, centesimi di secondi e a volte interi minuti.
    In penombra spesso c’è una quantità di luce sorprendente…bastano 2 minuti.

    /

    2’ (due minuti)

    It’s curious to see how fast everything seems to run. It is not just about a thought or a feeling, oftentimes all that we experience emotionally and professionally slips away in quick, almost unrealistic moments. The sense of time with photography is different than in real life, and usually we hear about the famous instant of reality framed as the decisive moment. I have always trusted photography to be a magnificent medium to represent what is not visible, and I still believe so, hence my choice to capture images in a single color, easy to understand all the same not predictable. I favour simple and familiar objects of daily use, yet never manifest, that I photograph with a long exposure and a small aperture to engrave it on the memory: the image is recorded through an extended time that begins with the gaze and returns to it after an imaginary journey across the portrayed reality. Combined with a precise amount of light, as if a music track, each image is marked by seconds or hundredths of seconds, sometimes whole minutes. In dim light there is often a surprising amount of light…it only takes 2 minutes

    Sonia Marin

    Due minuti 01

    AVAILABLE FOR 23 DAYS

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    25x25cm
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    Fabio Barile

    Untitled, 2015 – 03

    AVAILABLE FOR 23 DAYS

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    The Extravangant Creature Swallowing dreams.

    I was born without God. Noone taught me to have Faith. I’d loved to keep Ideology by my side, but after a while I acknowledged to be dull or ignorant, or at least unable to reinvent it all the time, while all the others joined the crowd of Property faithful followers. In an advanced decay stage, I understood I was just a devotee of Perceptions and Impressions, and I bet on personal things, relationships, groups. But there was nothing to do. Even these last solo gambles started to melt, and friends who were part of the game started to die. At this point, now, it is a mess. The absurd is present. And so, should I got Camus’s words right, I have to bet on his idea: we should imagine a happy Sisifo. Happy when he is running down the hill, happy when he is taking the stone up the hill, happy when the stone starts to slip down the hill, in a continual circle. But, to be honest, a lot of love is needed to live the absurd time, looking for happiness in this Extravangant Creature Swallowing Dreams.

    Samuele Pellecchia

    China Hutong

    AVAILABLE FOR 23 DAYS

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    The project A Sensitive Education explores, through the figure of bird educator Tristan Plot, the possibilities of empathy between different natural species. The narrative, far from being a naturalist documentation, is rather focused on the emotional sphere and sensitivity of birds and humans. The photographic research develops in resonance with the delicacy of this wordless dialogue.

    Francesca Todde

    A Sensitive Education 07

    AVAILABLE FOR 23 DAYS

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    After a one hour and three quarters journey from Manchester.I arrived at Blackpool.I remember it was a Friday evening at the end of June.

    In the bus there was me and a dozen of lively old men who, like me, wanted to spend the weekend in this seaside town.As soon as I got off the bus, I found myself immersed in a landscape that instantly conquered me.

    Blackpool has a set of different styles. It feels like being in the Los Angeles studios.
    I can’t say if this place is good or bad.
    Seeing a reproduction of the 158-meter-high Eiffel tower that flies over the town, struck me almost as much as the original one for sure. Who knows why they built it in the Queen’s Kingdom, knowing their rivalry with France.

    However, even the waterfront was not far behind.
    it was like being in a decadent Las Vegas with game arcades of all kinds.
    The noises of the slot machines and the dazzling colors of the casino lights invited you to look in the opposite direction, where you could admire the perfectly restored Victorian-style piers, more than 500 meters long, which reached out to the Irish sea, as if searching to find  some peace.
    The people I met were all incredibly interesting and photogenic too.
    Blackpool is a place beyond everything I ever knew  and for this very reason
    I spent 8 days photographing, instead of two.

     

    20x30cm
    120€

    Stefano Rosselli

    Blackpool 1

    AVAILABLE FOR 23 DAYS

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    Giovanni De Angelis

    PRAGA #1

    AVAILABLE FOR 23 DAYS

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    Sofia Masini

    melone, 2018

    AVAILABLE FOR 23 DAYS

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    Any Okolie

    the gaze

    AVAILABLE FOR 23 DAYS

  • Maki Galimberti

    Sergio Castellitto, shooting for Vanity Fair Italy in Rome, February 2006

    AVAILABLE FOR 23 DAYS

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    Settimio Benedusi

    Foto 02

    AVAILABLE FOR 23 DAYS

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    “If you go to Danakil seeking adventures, you will not be able to go beyond your own shallowness. Which will appear unbearable even to you. The white-hot sun, the indifference of the Afars, the monotony of a desert devoid of colors will make you feel naked and helpless. And your balance, both mental and physical, will be in danger of going into pieces. You have to be able to defend yourself in the Danakil. You have to show, especially to yourself, to have a soul of a poet. The ones who venture to go to the Danakil do it to change their point of view.” From the book “Dancalia, camminando sul fondo di un mare scomparso” by Andrea Semplici, Ed. Terre di Mezzo. Endless stretches of salt, lakes with psychedelic colors and active volcanoes: this land, which is constantly changing, is heaven and hell together – an ancestral place where you can still watch the phenomena that gave rise to the world. Located in the northern part of the Afar’s Triangle, which takes its name from the nomadic people who live there, the vast Danakil depression is the place where the constantly expanding of three tectonic plates join together, close to the border area among Ethiopia, Eritrea and Djibouti. This land made of re, salt and lava close to the Rift Valley – the long breach that bisects the continent – is a ghost ocean. It is from the retreat of the sea, evaporated twenty- thousand years ago, that the Danakil has gained its peculiarity: to be a spread of evaporitic rocks that gives rise to the Great Plain of Salt – a desert which stretches for about 600 kilometers. This is one of the most vulnerable places of our world: the re is just below our feet, ve kilometers away. There is a crust that is subjected to stresses of all kinds, a part of the planet where you feel the throbbing heart of the Earth. In this vast plain, the Afars’ huts built with mud and twigs appear like a mirage. These nomads, who are mainly devoted to the extraction of minerals, live in one of the most inhospitable places on earth, the hottest inhabited place in the world, with very little vegetation and temperatures that can reach 120°F degrees. The Afar people seem to have appeared from nowhere. They have kept a strong identity without having a testimony to their story. Their economy was, and is, precarious. They are nomads struggling with the hostility of the climate. They have adapted to survive in a harsh and impossible land.

     

    25x25cm
    120€

    Andrea Frazzetta

    Danakil

    AVAILABLE FOR 23 DAYS

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    25x25cm
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    Guen Fiore

    Alyssa and Samantha

    AVAILABLE FOR 23 DAYS

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    Present Tense is a stream of consciousness, my reality merged with imagination through photography over the years – without any rationalisation or practical goal.  

    Lorenzo Castore

    Untitled #1

    AVAILABLE FOR 23 DAYS

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    This work comes from the visual analysis of a collection of votive tablets found in the surroundings of Soliera (MO), a rural town in Emilia Romagna. Ex Voto panels are devotional paintings created by Catholic worshippers to pay tribute to the Virgin Mary for having saved them from various kinds of occurrences. 

    This series is about the remains of a darkling time, about fading elements of a life based on hard work and harmless devotion when humans were nothing more than servants at the mercy of Nature’s grandeur.

     

    25x25cm
    120€

    Samantha Azzani

    PGR #1

    AVAILABLE FOR 23 DAYS

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    Raval, Barcelona, Spain 2012

    Eloisa D'orsi

    A Woman Under the Influence

    AVAILABLE FOR 23 DAYS

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    Alberto Zanetti

    Parental Control

    AVAILABLE FOR 23 DAYS

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    Lucrezia Ganazzoli

    IL MIO CAPO

    AVAILABLE FOR 23 DAYS

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    Photographs series called Journey to Vietnam,
    about the trip I made in Vietnam, traveling from the capital Ho Chi Minh in the south, to Hanoi in the north. My partner and I crossed the country backpacking, on buses, night trains, motorbikes, boats, taking a dip in local life.

    Federico Sorrentino

    vietnam (12)

    AVAILABLE FOR 23 DAYS

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    Lorenzo Martelli

    Untitled

    AVAILABLE FOR 23 DAYS

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    Piero Gemelli

    Foto 01

    AVAILABLE FOR 23 DAYS

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    25x25cm
    120€

    Maria Clara Macrì

    La Nina

    AVAILABLE FOR 23 DAYS

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    25x25cm
    120€

    Chiara Mirelli

    Bologna 2019

    AVAILABLE FOR 23 DAYS

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    Delfino Sisto Legnani

    San Siro 3

    AVAILABLE FOR 23 DAYS

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    Pictures from my dayli and crazy life.

    Hugo Weber

    Horses in Deauville , from the project Lippodrome

    AVAILABLE FOR 23 DAYS

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    120€

    Asli Turker

    Same Song

    AVAILABLE FOR 23 DAYS

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    Gabriele Micalizzi

    MalaMilano 04

    AVAILABLE FOR 23 DAYS

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    These images were taken from a balcony overlooking a square of a local market in Naples. 

    Luca Santese

    La bambina di Napoli

    AVAILABLE FOR 23 DAYS

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    The Garbatella and its flora are a well-kept Roman secret. It is an exotic and unique neighbourhood – founded in February 1920, so next to its centenary – known for its architecture based on lots, a particular kind of public housing with buildings designed according to “Barocchetto romano” style and to English Garden City Movement model.

    The neighbourhood is an un imitated little urban island, with the highest ratio, in Italy of those years, between built-up surface and “private” green spaces, that are, for generations, social sites and still live on only thanks to the care of its residents.

    Hence the choice to photograph plants, because they represent a kind of aesthetic, behavioral, architectural and vegetational exoticism of the entire physical place.

    With this series I want to offer a glimpse of this treasure unveiling the neighbourhood’s flora and vegetations – its enthralling green spaces. Trying to preserve its mystery while giving movement to still life.

     

    25x25cm
    120€

    Giovanni Cocco

    PLANTARIUM 1

    AVAILABLE FOR 23 DAYS

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