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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€Delfino Sisto Legnani
San Siro 3AVAILABLE FOR 23 DAYS
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25x25cm - 120€
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60x60cm - 350€Raval, Barcelona, Spain 2012
Eloisa D'orsi
A Woman Under the InfluenceAVAILABLE FOR 23 DAYS
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Alessio Cocchi
DISTORTEDAVAILABLE FOR 23 DAYS
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Lorenzo Martelli
UntitledAVAILABLE FOR 23 DAYS
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25x25cm
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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€Present Tense is a stream of consciousness, my reality merged with imagination through photography over the years – without any rationalisation or practical goal.
Lorenzo Castore
Untitled #1AVAILABLE FOR 23 DAYS
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25x25cm - 120€
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60x60cm - 350€Chiara Fossati
From “Riverside Girls”, Black Sea, Sulina,Romania, 2014AVAILABLE FOR 23 DAYS
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25x25cm - 120€
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60x60cm - 350€Marco Onofri
NEW YORKAVAILABLE FOR 23 DAYS
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25x25cm - 120€
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60x60cm - 350€The road is lost in the stoney hills close to Pertosa
Rocco Rorandelli
Basilicata, ItalyAVAILABLE FOR 23 DAYS
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25x25cm - 120€
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60x60cm - 350€Myriam Meloni
Important things are said softly 1AVAILABLE FOR 23 DAYS
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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€Franco Pagetti
Foto 02AVAILABLE FOR 23 DAYS
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120€This work comes from the visual analysis of a collection of votive tablets found in the surroundings of Soliera (MO), a rural town in Emilia Romagna. Ex Voto panels are devotional paintings created by Catholic worshippers to pay tribute to the Virgin Mary for having saved them from various kinds of occurrences.
This series is about the remains of a darkling time, about fading elements of a life based on hard work and harmless devotion when humans were nothing more than servants at the mercy of Nature’s grandeur.
25x25cm
120€Samantha Azzani
PGR #1AVAILABLE FOR 23 DAYS
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SIZE
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25x25cm - 120€
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60x60cm - 350€Gabriele Micalizzi
MalaMilano 04AVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€Alba Zari
Blindness #2AVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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120€25x25cm
120€Asli Turker
Same SongAVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€Mattia Greghi
Foto – 001AVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€The project A Sensitive Education explores, through the figure of bird educator Tristan Plot, the possibilities of empathy between different natural species. The narrative, far from being a naturalist documentation, is rather focused on the emotional sphere and sensitivity of birds and humans. The photographic research develops in resonance with the delicacy of this wordless dialogue.
Francesca Todde
A Sensitive Education 07AVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€Lucrezia Ganazzoli
IL MIO CAPOAVAILABLE FOR 23 DAYS
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25x25cm - 120€
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60x60cm - 350€The Extravangant Creature Swallowing dreams.
I was born without God. Noone taught me to have Faith. I’d loved to keep Ideology by my side, but after a while I acknowledged to be dull or ignorant, or at least unable to reinvent it all the time, while all the others joined the crowd of Property faithful followers. In an advanced decay stage, I understood I was just a devotee of Perceptions and Impressions, and I bet on personal things, relationships, groups. But there was nothing to do. Even these last solo gambles started to melt, and friends who were part of the game started to die. At this point, now, it is a mess. The absurd is present. And so, should I got Camus’s words right, I have to bet on his idea: we should imagine a happy Sisifo. Happy when he is running down the hill, happy when he is taking the stone up the hill, happy when the stone starts to slip down the hill, in a continual circle. But, to be honest, a lot of love is needed to live the absurd time, looking for happiness in this Extravangant Creature Swallowing Dreams.
Samuele Pellecchia
China HutongAVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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120€25x25cm
120€Chiara Mirelli
Bologna 2019AVAILABLE FOR 23 DAYS
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120€The Garbatella and its flora are a well-kept Roman secret. It is an exotic and unique neighbourhood – founded in February 1920, so next to its centenary – known for its architecture based on lots, a particular kind of public housing with buildings designed according to “Barocchetto romano” style and to English Garden City Movement model.
The neighbourhood is an un imitated little urban island, with the highest ratio, in Italy of those years, between built-up surface and “private” green spaces, that are, for generations, social sites and still live on only thanks to the care of its residents.
Hence the choice to photograph plants, because they represent a kind of aesthetic, behavioral, architectural and vegetational exoticism of the entire physical place.
With this series I want to offer a glimpse of this treasure unveiling the neighbourhood’s flora and vegetations – its enthralling green spaces. Trying to preserve its mystery while giving movement to still life.
25x25cm
120€Giovanni Cocco
PLANTARIUM 1AVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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120€25x25cm
120€Gabriele Basilico
da Milano Ritratti di fabbriche. 1978-1980AVAILABLE FOR 24 DAYS
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SIZE
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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€Pictures from my dayli and crazy life.
Hugo Weber
Horses in Deauville , from the project LippodromeAVAILABLE FOR 23 DAYS
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Sofia Masini
melone, 2018AVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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120€20x30cm
120€Alberto Zanetti
Parental ControlAVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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120€“If you go to Danakil seeking adventures, you will not be able to go beyond your own shallowness. Which will appear unbearable even to you. The white-hot sun, the indifference of the Afars, the monotony of a desert devoid of colors will make you feel naked and helpless. And your balance, both mental and physical, will be in danger of going into pieces. You have to be able to defend yourself in the Danakil. You have to show, especially to yourself, to have a soul of a poet. The ones who venture to go to the Danakil do it to change their point of view.” From the book “Dancalia, camminando sul fondo di un mare scomparso” by Andrea Semplici, Ed. Terre di Mezzo. Endless stretches of salt, lakes with psychedelic colors and active volcanoes: this land, which is constantly changing, is heaven and hell together – an ancestral place where you can still watch the phenomena that gave rise to the world. Located in the northern part of the Afar’s Triangle, which takes its name from the nomadic people who live there, the vast Danakil depression is the place where the constantly expanding of three tectonic plates join together, close to the border area among Ethiopia, Eritrea and Djibouti. This land made of re, salt and lava close to the Rift Valley – the long breach that bisects the continent – is a ghost ocean. It is from the retreat of the sea, evaporated twenty- thousand years ago, that the Danakil has gained its peculiarity: to be a spread of evaporitic rocks that gives rise to the Great Plain of Salt – a desert which stretches for about 600 kilometers. This is one of the most vulnerable places of our world: the re is just below our feet, ve kilometers away. There is a crust that is subjected to stresses of all kinds, a part of the planet where you feel the throbbing heart of the Earth. In this vast plain, the Afars’ huts built with mud and twigs appear like a mirage. These nomads, who are mainly devoted to the extraction of minerals, live in one of the most inhospitable places on earth, the hottest inhabited place in the world, with very little vegetation and temperatures that can reach 120°F degrees. The Afar people seem to have appeared from nowhere. They have kept a strong identity without having a testimony to their story. Their economy was, and is, precarious. They are nomads struggling with the hostility of the climate. They have adapted to survive in a harsh and impossible land.
25x25cm
120€Andrea Frazzetta
DanakilAVAILABLE FOR 23 DAYS
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25x25cm
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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€The Roman Garden is part of Finisterrae, a multi-chaptered project about Southern European identity and the state of crisis that it is in.
This chapter aims to be an aesthetic reflection on contemporary Italy through the lines of ancient Roman world as represented in art. The work takes to extremes its visual elements and creates metaphorically a limitless garden.The characters are lost in a fictional and misleading atmosphere, where the temporal and the spatial dimension are deconstructed in order to rise a sense of disorientation.The world is out of joint.Michele Palazzi
The Roman Garden 01AVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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25x25cm - 120€
40x40cm - 250€
60x60cm - 350€Pietro Masturzo
001 Myanmar 2012AVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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120€25x25cm
120€Guen Fiore
Alyssa and SamanthaAVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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120€25x25cm
120€Fabio Barile
Untitled, 2015 – 03AVAILABLE FOR 23 DAYS
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SIZE
25x25cm
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25x25cm - 120€
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60x60cm - 350€The images from the series “VTE” are part of a work shot in the Genova Voltri port in 2012 to document the docking of the Chinese semi-submersible ship “Zhen Hua”, transporting two huge new cranes for the terminal. I spent some days photographing the complex unloading and assembling operations, carried on by the Chinese crew. These cranes will be used to disembark containers, most of which filled with Chinese goods. I was totally caught by the symbolic meaning of what I was observing: a physical representation of the Chinese economic conquer. But I was also impressed by the peculiar atmosphere among the workers and aboard the ship: a distant, different working mood, that projected me for some hours in the deep hearth of the Chinese heavy industry.
Martino Lombezzi
Dock. Genova, 2012. From “The mooring of the Zhen Hua”AVAILABLE FOR 23 DAYS