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    Simon

    Does your Dog need swim lessons?

    AVAILABLE FOR 52 DAYS

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    Claudia Corrent

    Egitto

    AVAILABLE FOR 4 DAYS

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    Nicola Carignani

    Absence is present 02

    AVAILABLE FOR 52 DAYS

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    Claudia Gori

    untitled 2

    AVAILABLE FOR 52 DAYS

  • Maddalena Arcelloni

    Isabella #2

    AVAILABLE FOR 52 DAYS

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    Giulio Di Sturco

    Maldives

    AVAILABLE FOR 52 DAYS

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    NoNoise is a collection of patches, a reflection on the urban space as a media to communicate. The series, produced along the years in my hometown Florence, is a selection of a personal archive of anti graffiti paintings. In Florence the strong and justified tendency to preserve its artistic riches, translates into an attempt at total control of the urban aesthetic. This is why in recent years the fight against graffiti and wall writing has intensified. The stains of colored paint that are superimposed and that fit together on the walls of the city are transformed into a new mural work, into a new level of communication. In this way photography becomes an instrument for the construction of a personal and lively imagination in the context of the visual war in the contemporary urban space. An instrument for the defense of one’s own imagination and expression.

    Pietro Paolini

    No Noise 001

    AVAILABLE FOR 52 DAYS

  • Martina Parolo

    July – 7am

    AVAILABLE FOR 52 DAYS

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    Attilio Cusani

    Costumino

    AVAILABLE FOR 52 DAYS

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    Jonathan Santoro

    NARITA

    AVAILABLE FOR 52 DAYS

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    PRICE
    120

    An idea, a well-defined project, clear both for the subject and for the tools to be used. A rigorous realization carried out with maximum care. The search for essentiality, the structures dedicated to the man, the absence of the man as an actor, but his presence as a designer, as a user, are evident. Lights, or more often shadows, geometric figures, abstract figures, which contrasts can be captured through these images! Andrea leads us by the hand in a real and at the same time abstract world, guides us where the boundary between reality and vision is very blurred, using solid walls to bring us to the void. It forces us to look for an upward glimmer, to escape from the prisons that we have built, to free our imagination. Positive or negative interpretation? To each their own, I am optimistic, Andrea tries to warn us, to urge awareness, cities and factories are closing us in tight spaces. He does not offer us a solution, we can accept to stay or decide to leave, to remain prisoners or free ourselves, going to the countryside, to the mountains, to the sea, to larger spaces and cleaner air. Maybe that’s where everyone has already gone! Andrea does neither offer the solution, nor does he suggest it. The goal of his Polaroid simply makes an investigation and does it with detachment, with rigorous professionalism. The use of the medium, the devices for immediate development films, far from being a limitation, allows for a rigorous approach. There is no fiction, there is no manipulation, there seems to be no interpretation. On the contrary, the choice of the medium defines its interpretation, a means that does not allow modifications, which is “pure” and which therefore represents reality as he has seen it, as he wants us to see it. The search, even spasmodic, of the purity of the lines, of the composition, of the balance between planes and masses, offers us a world that seems, on the other hand, unreal, and only the consideration that it is a matter of immediate development devices and films, by definition not falsifiable, it brings us back to a tangible reality that only attentive eyes and great sensitivity allow us to see and capture.

    Andrea Tonellotto

    marsiglia #1

    AVAILABLE FOR 52 DAYS

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    Andy Massaccesi

    RIVERA

    AVAILABLE FOR 52 DAYS

  • Tassili Calatroni

    Samphanthawong District, Bangkok

    AVAILABLE FOR 52 DAYS

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    Before the pandemic broke out, I lived in Lima, where I worked freelance and collaborated with Reuters. I had just left Italy and everything I had there to pursue my passion; a hard but conscious choice. After a few months, due to work reasons, I found myself stuck in New York while the Corona Virus was spreading. These were difficult moments, I felt lost and at the mercy of events, without being able to return to what I had considered home for months. During those days the city became more and more deserted, and in the streets I remembered full of people a silence resounded that I had never heard in those places during the time I lived there. And yet, I was surprised to see that I didn’t feel the weight of walking through the empty streets. I felt myself understood, lulled by the confusion that enveloped the Big Apple in those days because, deep down, it was the same feeling that I felt inside of me. Once again photography was my anchor and the only certainty I had in that moment, the way I had to understand what was happening outside and inside me. These photos do not speak about a deserted New York, but about a state of mind; I took them thinking about what I felt and not what I was seeing.

    Alessandro Cinque

    3PM Central Park

    AVAILABLE FOR 52 DAYS

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    DEAD OR ALIVE, real or represented in the form of statues or soft toys, animals are always sources of enchantment for the human beings. Each child feels a primal attraction towards those other living beings that populate the earth. They are conceived as toys, tools for work, companionship and nutrition. Man continues to love them, enslave them, eat them, imprison them, deify them. They are the protagonists of almost every comic and game, they are exalted and just as massacred. I continue to be somehow attracted to every animal, whether it is alive or dead, wild or made out of plastic, free or defeated. If it were in my power, I would close the large aquariums tomorrow but I must admit that I love to stay there for hours. Few things scream justice like zoos, yet the ability to see animals up close remains a call I pretend not to hear. Although diving and watching underwater is my favorite activity, I still enjoy visiting the fish markets. I don’t do it anymore but I really like fishing. I can’t pretend that I didn’t feel a dominant emotion the only time in life I hunted an animal with a weapon. I am convinced that no physically healthy human being has any reason to continue being a carnivore, yet, I seldom continue to eat meat and fish. This series of photos was born from the paradox born by the incongruent coexistence between these feelings.

    Francesco Cabras

    Dead or Alive 1

    AVAILABLE FOR 52 DAYS

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    The Doukhobors have left Russia since Tsar Nicholas I exiled them in the 1840s. They settled their community in remote Georgian villages among the border with Armenia at almost 2500 meters of altitude. They are a Christian sect that believed God resides within every person, rendering the need for the church and all its trappings—icons, buildings, rituals, even priests—unnecessary. They believe in a native pacifism and ecological behaviuors. Altough the long and cold winters, Doukhobors’ have created a fairy tale land with tidy towns of sod-roofed homes and carved wooden shutters painted in blue. In Gorelovka,once their spiritual center, there are 145 left. Their ineluctable exodus north could spell the end of an entire culture.

    Mattia Vacca

    The last days of Doukhobors disappearing community

    AVAILABLE FOR 52 DAYS

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    Part of a serie shot in Santa Cruz in 2014. Shot on 35mm film, Hand Printed by the artist.

    Ivan Ruberto

    Wormhoudt

    AVAILABLE FOR 4 DAYS

  • Stefano Guindani

    #01

    AVAILABLE FOR 52 DAYS

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    Part of a serie shot in Santa Cruz in 2014. Shot on 35mm film, Hand Printed by the artist.

    Ivan Ruberto

    Wormhoudt

    AVAILABLE FOR 52 DAYS

  • Mario Zanaria

    Foto 01

    AVAILABLE FOR 52 DAYS

  • SIZE
    25x25cm

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    25x25cm - 120€
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    Pantelleria

    Arnaldo Abba Legnazzi

    #259

    AVAILABLE FOR 52 DAYS

  • SIZE
    25x25cm

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    PRICES
    25x25cm - 120€
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    Marcello Junior Dino

    Flowers 2

    AVAILABLE FOR 52 DAYS

  • Francesco Faraci

    Foto 01

    AVAILABLE FOR 52 DAYS

  • SIZE
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    “About last night” is an aesthetic research, a photographic project created by Lorenzo Poli over the course of two years. It tells about the Roman “extreme clubbing” evenings, organized by “Ritual the Club”. Moments in which judgment is suspended and one is free to express oneself, everyone is welcomed and in some way protected.

    Lorenzo Poli

    01 Vali

    AVAILABLE FOR 52 DAYS

  • SIZE
    25x25cm

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    In Spring 2017, after the end of a ten years-long relationship, I left Rome and moved near the sea, in a small town in the countryside, in a magic valley called “Agro Pontino”, suggested by a friend. Having ceased the only reason why I had moved to Rome a long time ago, leaving, and moving elsewhere, was for me the most natural choice. I wanted to stay on my own, far from everything and immerse in the wild of nature, in a simple and quiet place, far from and tired of the confusion of the big city, in a sort of wonderful retreat. And here indeed I was born again. The sea healed me, I found peace, reconnecting to my Self, with the one I was at 18 before going at University, starting embracing again all the things I used to do at the time and that I had left behind there along the path. In the Summer, some months after my arrival, I’ve fallen in love again, of myself, of this place, and of a delicate woman named Anna. I stopped smoking after twenty years, and I started again playing music and doing many other things. I started listening to my soul and now we’re walking together. IL RITORNO (trilogia n.1) is the tale of the two years I spent there. It consists of three works, “NÒSTOS L’ultima sigaretta” is the first chapter and is about the place, which I talked to and spent a lot of time with, and that I tried to portray as It was a person. A place I can call “home”, and that was the scenery of the experiences I lived.

    Gianfranco Gallucci

    Nostos senza titolo #01

    AVAILABLE FOR 52 DAYS

  • Elena Braghieri

    Something in the way she moves

    AVAILABLE FOR 52 DAYS

  • SIZE
    25x25cm

    PRICE
    120

    An idea, a well-defined project, clear both for the subject and for the tools to be used. A rigorous realization carried out with maximum care. The search for essentiality, the structures dedicated to the man, the absence of the man as an actor, but his presence as a designer, as a user, are evident. Lights, or more often shadows, geometric figures, abstract figures, which contrasts can be captured through these images! Andrea leads us by the hand in a real and at the same time abstract world, guides us where the boundary between reality and vision is very blurred, using solid walls to bring us to the void. It forces us to look for an upward glimmer, to escape from the prisons that we have built, to free our imagination. Positive or negative interpretation? To each their own, I am optimistic, Andrea tries to warn us, to urge awareness, cities and factories are closing us in tight spaces. He does not offer us a solution, we can accept to stay or decide to leave, to remain prisoners or free ourselves, going to the countryside, to the mountains, to the sea, to larger spaces and cleaner air. Maybe that’s where everyone has already gone! Andrea does neither offer the solution, nor does he suggest it. The goal of his Polaroid simply makes an investigation and does it with detachment, with rigorous professionalism. The use of the medium, the devices for immediate development films, far from being a limitation, allows for a rigorous approach. There is no fiction, there is no manipulation, there seems to be no interpretation. On the contrary, the choice of the medium defines its interpretation, a means that does not allow modifications, which is “pure” and which therefore represents reality as he has seen it, as he wants us to see it. The search, even spasmodic, of the purity of the lines, of the composition, of the balance between planes and masses, offers us a world that seems, on the other hand, unreal, and only the consideration that it is a matter of immediate development devices and films, by definition not falsifiable, it brings us back to a tangible reality that only attentive eyes and great sensitivity allow us to see and capture.

    Andrea Tonellotto

    piscina comunale #1

    AVAILABLE FOR 4 DAYS

  • SIZE
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    PRICE
    PRICES
    25x25cm - 120€
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    Lorenzo Zoppolato

    Nodo

    AVAILABLE FOR 52 DAYS

  • SIZE
    25x25cm

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    PRICES
    25x25cm - 120€
    40x40cm - 250€
    60x60cm - 350€

    For over two years, I visited more than 50 countries and created colorful images of boys and girls in their homes and neighborhoods with their most prized possessions: their toys. From Texas to India, Malawi to China, Iceland, Morocco, and Fiji, I recorded the spontaneous and natural joy that unites kids despite their diverse backgrounds. Whether the child owns a veritable fleet of miniature cars or a single stuffed monkey, the pride that they have is moving, funny, and thought provoking.

    Gabriele Galimberti

    Toy Stories

    AVAILABLE FOR 52 DAYS

  • Alice Pastorelli

    Closed #01

    AVAILABLE FOR 52 DAYS

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